Download e-book for iPad: 1986. Cuentos completos by Rodrigo Rey Rosa

By Rodrigo Rey Rosa

ISBN-10: 8420418420

ISBN-13: 9788420418421

Un maestro en el género: este volumen fundamental incluye sus relatos publicados y algunos inéditos.

«El hecho que más me ha parecido premonitorio de l. a. muerte ha sido darme cuenta de que una personality que me gustaba me aburre profunda, infinitamente.»

Muy pocos autores llegan a dominar el género del relato, cercano a los angeles poesía por su brevedad e impacto y del que Cortázar, Bioy Casares o Borges son los grandes maestros en lengua española: Rodrigo Rey Rosa está a l. a. altura de esos clásicos. Perturbadores, sensuales, angustiantes y llenos de suspense, dejan al lector absorto después de leerlos, como si despertara de un sueño o de un golpe. los angeles lectura de cada uno de estos cuentos, pertenecientes a seis libros distintos, hasta los últimos, inéditos y de escritura muy reciente, es una experiencia singular, cercana a un viaje inesperado. El recorrido traza también un retrato literario de los angeles evolución de un autor único.

La crítica ha dicho...
«Una literatura de los sentidos y del conocimiento esencial. Sensual y ethical. Leer para disfrutar casi irracionalmente.»
Ernesto Ayala-Dip, El Correo Español

«Quizá Rey Rosa hace con su propio país lo que su maestro Paul Bowles con Marruecos: verlo desde una distancia breve pero infranqueable, donde l. a. máxima economía de estilo acrecienta los angeles fuerza de las ambigüedades.»
Edgardo Dobry, El País

«Ese estilo que identificamos con los clásicos, donde las palabras son tan esenciales como l. a. tensión narrativa que crean. Añádase asimismo una forma muy unusual de humor, este buen humor de quien escribe consciente de que una buena historia se apoya siempre en esta zona donde l. a. invención no niega l. a. realidad pero sí los angeles supera.»
J. A. Masoliver Ródenas, La Vanguardia

«Una obra extraordinariamente contenida, parca, intrigante. Una literatura a salvo de gestos inútiles, donde l. a. belleza parece nacer de esa curiosa inclinación por el silencio.»
Raphaëlle Rérolle, Le Monde

«Una escritura despojada hasta el máximo, en los angeles que ninguna palabra sobra, y sin embargo envolvente y sensual hasta rozar lo obsesivo, casi como un sueño vivido.»
Pere Gimferrer

«Incita al misterio y al ultimate de los angeles lectura creemos haber cerrado en falso una herida.»
Arturo García Ramos, ABC (Cultural)

«Una propuesta editorial que consolida una obra numerous, de impecable ejecución, y así agrupada es una felicitación para sus adeptos.»
Francisco Solano, Babelia

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Extra resources for 1986. Cuentos completos

Example text

She seems to be weighed down with hidden worries and sorrows. Kyŏnghŭi and her siblings called the woman “Auntie,” for she had been a friend of Kyŏnghŭi’s family for nearly twenty years, and she in turn loved them as her own nieces and nephews. indd 36 9/22/09 1:56:33 PM Na Hye-sŏk 37 house, either to pass the time or to lift her spirits when she felt depressed. Her face was always clouded, and she had the habit of heaving deep sighs even on joyful occasions. Anyone familiar with the deep-rooted cause of her unhappiness couldn’t help but feel for her.

I’m sorry for having neglected to send our servant over to ask after your family,” said Lady Kim, lighting her own pipe. She is the wife of Yi Ch’ŏrwŏn, head of the household. Her hair is streaked with gray; a few stray wrinkles crease her forehead. “Please don’t mention it. It is I who should apologize, not you. The little ones are fine, but their mother has had stomach trouble the past few days. ” “This heat makes people sick so easily. ” “Oh, yes, but I’m relieved to see her better. By the way, I bet you are happy to have Kyŏnghŭi back home from Japan,” the lady-in-law added, as if suddenly remembering something she’d forgotten.

The story won second prize in a literary competition sponsored by Ch’oe Nam-sŏn’s magazine, Ch’ŏngch’un (Youth; no. 11, November 1917). It was highly praised by Yi Kwang-su, a judge of the contest, for its realistic thrust and unsentimental treatment of the subject—a departure from premodern Korean fiction. Sometime in 1918 Kim returned to Japan to study literature and music, and in 1919 she joined the Ch’angjo (Creation) group, Korea’s first literary circle, organized by Kim Tong-in (1900–1951) and other male Korean students in Tokyo.

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1986. Cuentos completos by Rodrigo Rey Rosa


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